Musicology Today
Volume 20 (2023): Issue 1 (December 2023)
The Urban Music Scene
- Sławomira Żerańska-Kominek
- Ryszard J. Wieczorek
- Rafał Ciesielski
Żary – The City of Georg Philipp Telemann
- Małgorzata Woźna-Stankiewicz
Everyday Outdoor Music Life in Galician Cracow - Magdalena Dziadek
Open-Air Music in Warsaw Between the World Wars
- Jolanta Guzy-Pasiak
Jewish Popular Music in Galicia: Karol Rathaus’ Recollections of Chune Wolfsthal - Joanna Chorzępa
- Jakub Kopaniecki
The Role of Beach Bars in Wrocław’s Local Music Scene
Musicology Today
Volume 19 (2022): Issue 1 (December 2022)
- Sławomira Żerańska-Kominek
- Olena Berehova
The Imagosphere of Myroslav Skoryk's Opera Moses
- Agnieszka Jeż
- Cindy Bylander
The Mass Song Seminar at Nieborów, June 1950
- Beata Bolesławska-Lewandowska
Three Psalms, Liturgia sacra, Fragments: the Last Works in Zygmunt Mycielski's Oeuvre
- Agnieszka Cieślak-Krupa
A Kiss for Cinderella (1925) The Importance of Historical Accuracy in Reconstructing Scores to Silent Films Based on the Mirskey Collection - Sylwia Makomaska
- Sławomira Żerańska-Kominek
‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker
Musicology Today
Volume 18 (2021): Issue 1 (December 2021)
Pasticcio. Ways of arranging attractive operas
- Aneta Markuszewska
- Giovanni Polin
- Ina Knoth
Just for the Ladies? Compilation, Knowledge Practice and Pasticcio in England around 1720 - Berthold Over
The Art of ‘Cooking’ a Pasticcio: Musical Recipes and Ingredients for Pasticcio Operas
- Aneta Markuszewska
Pasticcio and Pleasure. L’abbandono di Armida (Venice 1729)
- Anne Desler
- Raffaele Mellace
Hasse's Siroe, Thirty Years Later: A Veritable Work in Progress
- Emilia Pelliccia and Sonia Rzepka
- Reinhard Strohm
Scipione impasticciato: Performing, Researching and Reviving London operas from 1730–1731
- Gesa zur Nieden
- Jana Spáčilová
Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
- Paologiovanni Maione
‘Collected’ Pages for the Issipile (Teatro San Carlo, 1763)
- Anna Ryszka-Komarnicka
Tortuous Roads. Tracing Back the Reception Paths of Apostolo Zeno’s Libretto Venceslao (1703–1754)
- Bruno Forment
Pastiching as Artistic Research: Ifigenia / Ipermestra (Brussels, 2006)
- Clemens Birnbaum
Handel’s Pasticci between Music History and Current Music Practice at the Handel Festival in Halle
Musicology Today
Volume 17 (2020): Issue 1 (December 2020)
- Aneta Markuszewska
- Berthold Over
How to Impress the Public: Farinelli's Venetian Debut in 1728–1729
- Irena Bieńkowska
More on the Music of Giuseppe Torti (before 1752–after 1780)
- Anna Ryszka-Komarnicka
- Daniel A. Jones
- Agnieszka Cieślak
Bronisław Mirski - Polish Music Director of the Silent Film Era
Musicology Today
Volume 16 (2019): Issue 1 (December 2019)
Women-Composers in Poland
- Sławomira Żerańska-Kominek
- Aneta Markuszewska
Music-Making Women-Aristocrats
- Magdalena Dziadek
Polish Female Composers in the Nineteenth Century
- Iwona Lindstedt
“Why Are Our Women-Composers So Little Known?”
- Małgorzata Gąsiorowska
Grażyna Bacewicz – The Polish Sappho
- Iwona Lindstedt
- Joanna Miklaszewska
Literature and visual arts as a source of inspiration - Jolanta Szulakowska-Kulawik
Justyna Kowalska-Lasoń: A Portrait with a Caravan in the Background
Musicology Today
Volume 15 (2018): Issue 1 (December 2018)
Deconstructing the Myth of Polishness in Music
- Sławomira Żerańska-Kominek
Deconstructing the Myth of Polishness in Music
- Ryszard Daniel Golianek
The Concept of Polish Music: In Search of Adequate Criteria
- Piotr Dahlig
- Iwona Lindstedt
The Polish School of Composition in 20th-Century Music – A Recapitulation
- Grzegorz Zieziula
Beyond the Dogma of a ‘National Style’: Dance-Type Narration in Stanislaw Moniuszko’s Operas
- Tomasz Nowak
- Rytis Urniežius
Musicology Today
Volume 14 (2017): Issue 1 (December 2017)
‘Warsaw Autumn’ International Festival of Contemporary Music
- Jerzy Kornowicz
- Andrzej Chłopecki
The Warsaw Autumn: the Origin and the Beginnings
- Małgorzata Gąsiorowska
- Ewa Schreiber
- Michał Klubiński
Bohdan Wodiczko’s Programming Policies at Warsaw Philharmonic (1955-1958). Toward the Warsaw Autumn.
- Mariusz Knorowski
- Rūta Stanevičiūtė
Reception of the Warsaw Autumn Festival in Lithuania: Cultural Discourse and Political Context
- Cindy Bylander
From Restrictions to Freedom The Perilous Path to the First Warsaw Autumn Festival
Musicology Today
Volume 13 (2016): Issue 1 (December 2016)
[Polish] Musicology Today
- Sławomira Żerańska-Kominek
- Zofia Helman-Bednarczyk
The New Edition of Chopin’s Correspondence - Zbigniew Skowron
On Witold Lutosławski’s Artistic Self-Awareness. A Survey of Very Recent Research
- Tomasz Jeż
The Music Repertoire of the Society of Jesus in the Polish-Lithuanian Commonwealth (1565–1773)
- Szymon Paczkowski
Research on 18th Century Music in Poland. An Introduction
- Katarzyna Naliwajek-Mazurek
Music in Nazi-Occupied Poland between 1939 and 1945 - Tomasz Nowak
National Dances in the Canon of Polish Culture
- Mariusz Gradowski and Przemysław Piłaciński
- Mariusz Gradowski
Rock and Roll Styles and Genres in Poland (1957–1973)
Musicology Today
Volume 12 (2015): Issue 1 (December 2015)
The Musical Languages of Contemporary Polish Composers: Self-Reflections
- Sławomira Żerańska-Kominek
Editorial - Rafał Augustyn
- Beata Bolesławska-Lewandowska
Between Emotion and Intellect. On the Musical Language of Andrzej Panufnik (1914–1991)
- Daniel Cichy
Witold Szalonek Seen Through His Own Views
- Agnieszka Draus
Between the Lines: Reading Into Marek Stachowski’s Self-Reflections
- Marcin Gmys
Integration Attempts Paweł Mykietyn and the Composer’s Self-Reflection
- Iwona Lindstedt
The Musical Language of Kazimierz Serocki in the Light of the Composer’s Self-Reflection
- Krzysztof Knittel
Some Remarks on my Composition Technique
- Marcin Krajewski
The Strategy of “Controlled Reception” in Witold Lutosławski’s Commentaries on his own Works
- Katarzyna Naliwajek-Mazurek
Paweł Szymański’s Self-Analyses Reread
- Violetta Przech
“I Am a Manufacturer of Impressions.”
- Paweł Hendrich and Krzysztof Stefański
Paweł Hendrich’s Emergent Sound System
- Krzysztof Szwajgier
- Marta Tabakiernik
Marcin Stańczyk’s Afterimages and Aftersounds – Reflections and Self-Reflections
Musicology Today
Volume 11 (2014): Issue 1 (December 2014)
Oskar Kolberg
- Piotr Dahlig
Oskar Kolberg (1814–1890) the Founder of Musical Ethnography in Poland
- Zbigniew Jerzy Przerembski
Kolberg’s opinions on changes in the choice of instruments in 19th century folk music
- Tomasz Nowak
The Importance of the Collection of Oskar Kolberg for Contemporary Choreological Studies
- Bożena Muszkalska
- Anastasiya Niakrasava
Belarusian Traditional Culture in the Legacy of Oskar Kolberg
- Łukasz Smoluch
Oskar Kolberg’s Study of the Musical Culture of the Hutsuls
- Teresa Nowak
Oskar Kolberg’s Volume on “Łużyce” [Lusatia]
Musicology Today
Volume 10 (2013): Issue 1 (December 2013)
Musical Historiography in Poland. New Sources – New Methodologies
- Agnieszka Leszczyńska
The Beginnings of Musical Italianità in Gdańsk and Elbląg in the Renaissance Era - Paweł Gancarczyk
Polyphonic Music in Fragments: A New Perspective for Polish Musicology?
- Tomasz Jeż
- Irena Bieńkowska
- Aneta Markuszewska
<Alla Maestà Clementina Regina Della Gran Bretagna>: The Political Significance of Dedications on the Example of Selected Operas Staged in the Teatro d’Alibert in Rome (1720-1730) - Jakub Dmeński and Magdalena Walter-Mazur
- Maciej Jochymczyk
Some Remarks on the Formation of the Classical Style: Instrumental Music by Amandus Ivanschiz
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